Forms of early Penjing Bonsai

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Although most of the legends of the 3rd century and 4th century were told about the Tao of teachers who had the ability to decrease the natural landscape into a small size in the container, a written explanation of the natural landscape in the form of a new miniature was encountered during the period Tang Dynasty.

Manuscripts from the period mentioned that art (at that time called punsai) makes the view from the trees as the Chinese original art, or Forms of early Penjing or Penzai Bonsaiperhaps as an art form brought from outside. For example from foreign influences that might be around this period was the influx of large foreign-capital of Chang’an besaran.

These events occurred in 630 when the Gokturks army was defeated by the Tang Dynasty and moved thousands of Turkish families to live in Chang’an. Up to now historians have not found a script that describes the period of the function changes of the plate / tray pen as a container for plants and stone, and the origin of creation forms a unique penjing.

The oldest paintings depicting murals in penjing were derived from about 706 years ago. This fresco is in the hall of the tomb of Prince Zhang Huai Qianling’s Mausoleum site.
When excavated in 1972, this painting shows two penjing servant women carrying shaped fruit trees and ornamental miniature sized stones.
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According to estimates, the trees high value initially was collected from the wild. The trees are considered unique because it fulfilled both nodes, arches, and other forms that are not uncommon. The trees are stunted by nature and are a special energy saving trust given the age and place of origin far from human interference. Chan Buddhism had views on making a further affect on the size of a miniature landscape.

The places in nature close to human habitation collected young and small plants. Collected plants are plants that still have a resemblance to the dwarf plants from the mountains and places far away. Having collected these plants, they are made to seem “old” to highlight the texture, shape, and size of the stems, roots, and branches. The poet and essayist since the Tang Dynasty period often praised the beauty of penjing.